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Movie Review - Search Here & Browse Results “I didn’t find who attacked my great-grandfather with an axe. But I think I learned who didn’t." History bleeds into the present in Tanya Zaharchenko's investigation of her family history in Ukraine's eastern town of Kharkiv, replete with axe-wielding criminals, chandelier-adorned mansions, and a long-unsolved assassination. This piece explores the critical consequences of popular feminist imaginaries in the current #Me Too climate. Through a comparative film review of The Beguiled and The Handmaiden, it asks what we achieve by entertaining multiple feminisms, and questions whether a politics of representation makes space for ideological contestation in contemporary popular media. Learn little by perusing this essay on the criss-crossing narrative that played out one day between two masks displayed at the Sir John Soane's museum. 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During a brief period of respite from summer tours and performing obligations, Alice Blackhurst met Patti Smith on a humid, tropically stormy day at her home in New York City, where her cat, Cairo, stalked between the stacks of books and art objects, and the sounds of ubiquitous Manhattan traffic railed sporadically against the walls. What follows is a distilled record of an afternoon-long conversation, where the topics ranged from opera, Picasso, the pressure faced by today's young artists to court visibility and notoriety, and the solitude and focus necessary to create enduring works of art. A visit to the Hungarian National Museum prompts Theo Di Castri to reflect on the intersections of nostalgia, nationalism and Europe's hostile response to the recent influx of refugees that have arrived within its border over the past year. 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Buy movie review writing services uk on PureVolume An English home-invasion thriller of sorts that goes off the rails early and hard, “Caught” is quasi-horror, or science-fiction, though it’s too pretentiously ambiguous about what’s really going on for one to be quite sure. Nonetheless, Jamie Patterson’s film is almost an instant camp classic for its ridiculous villains and poker-faced silliness, the major caveat being that it’s so damn yakkety. Despite mysteriously having won a critic’s prize at Fantasporto, this is likely to enthrall very few Stateside genre fans in its simultaneous Cinedigm release to theaters, on-demand and digital HD on March 30. Writer Julie (Mickey Sumner) and photographer Andrew Costello (Ruben Crow) are married journalists struggling to make ends meet in 1972 West Sussex, in the south of England, though they live in a very nice country home inherited from her parents. They’re thinking through their next professional move — a proposed exposé of apparent nearby covert military operations, which they guess are designed to protect construction of a sure-to-be-protested nuclear plant — when suddenly there are unexpected visitors. Assumed at first to be religious proselytizers for their stiffly formal dress and manner, the couple introduce themselves as “Mr. Blair” (April Pearson) on precisely the same level of naturalism with which the Coneheads claimed “We are from France.” Her hair in a tight bun, she resembles Virginia Woolf on thorazine, while he looks like a forgotten member of Duran Duran. They have proper English accents, yet raise the world-class red flag of having no idea how to drink a cup of tea. It turns out they want to discuss whatever the journos “caught” (on camera or otherwise) in spying on the assumed military encampment. pauses.), one half expects we’re being set up for some absurdist fantasy comedy. We never do find out just what this sinister duo are advance agents for, though there are hints toward an imminent space-alien invasion or malevolent supernatural phenomenon. This inquiry quickly goes from awkward to alarming. But there are no intentional laughs in this first screenplay by Dave Allsop and Alex Francis that takes itself seriously. Meanwhile, there’s much hysteria in the household, as the Costellos realize they (and the baby upstairs) are in mortal danger. With: Mickey Sumner, April Pearson, Cian Barry, Ruben Crow, Dave Mounfield, Aaron Davis, Regan Brown. As these visitors exude the stilted menace of Communists or evil Martians in Cold War B movies (glaring evilly, speaking every. The intruders seem very interested in the return of little Toby (Aaron Davis) from school — yet when he arrives, nothing comes of it. More definite is the fate of an unlucky passer-by, postman Sam (Dave Mounfield). Many movies have eked plentiful terror from a single interior setting with no or limited added effects. Screenplay: Dave Allsop, Alex Francis, from a story by Allsop. The horror elements are linked to the fact that stern inquisitor Mr. Blair have only temporary human forms: Their physical deterioration is mostly signaled by her burbling up a lot of viscous substances, and some decent FX makeup by Colin J. But instead of emphasizing tense action and atmosphere — the usual limited-budget solutions — the filmmakers here seem to think having their characters nervously chatter on about their situation in reams of clumsy dialogue will do the trick. Sumner and Crow are stuck running up and down a range of garrulous panic in the face of a highly unconvincing threat. and Castleview Films production in association with Jump Start Prods. Though mostly trapped with its protagonists inside the house, “Caught” is visually and technically more than adequate, testifying to Patterson’s resourcefulness in having cranked out 10 prior indie features (however little-seen) in just the past six years. Producers: Christina O’Shea-Daly, Jeremy Davis, Alex Francis. The film’s chamber-scaled mix of attempted terror and enigma might’ve been better assisted, however, by a score less strident than Moritz Schmittat’s. He lays on swells of conventional suspense, which often only draw attention to the underwhelming nature of what’s actually happening on-screen. Film Review: ' Caught' Reviewed online, San Francisco, March 26, 2018. Download and stream buy movie review writing services uk songs and albums, watch videos, see pictures, find tour dates, and keep up with all the news on PureVolume.
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